Theatre and Indigeneity
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Description
What motivates North American Indigenous theatre? What differentiates this type of theatre, and what informs its culture? To what extent does this reality contend with the Western theatrical expectation of a radicalized "Indian"?
This brief study explores key concepts that shape and motivate North American Indigenous theatre, while providing insight and best practices for understanding and appreciating Indigenous plays.
Explored through four key topics - being and knowing, relationships, time, and aesthetics - and textually supported by the works of playwrights like Yvette Nolan Monique Mojica, and Mary Kathryn Nagle, Theatre and Indigeneity brings Indigenous studies theories and conversations to bear on Indigenous theatre so that readers are better prepared to understand and assess encounters with Indigenous theatre and performance.
Accessibility Information
Additional accessibility information
- PDF/UA-2, 1.4
- Accessibility request contact
Support for non-visual reading
Has alternative text descriptions for images
Navigation
- Page list to go to pages from the print source version
- Elements such as headings, tables, etc for structured navigation
- All or substantially all textual matter is arranged in a single logical reading order
Table of Contents
Chapter 1-Being and Knowing
Chapter 2-Relationships
Chapter 3-Time
Chapter 4-Aesthetics
Further Reading
Product details
| Published | Jan 21 2027 |
|---|---|
| Format | Ebook (PDF) |
| Edition | 1st |
| Pages | 120 |
| ISBN | 9781350517882 |
| Imprint | Methuen Drama |
| Series | Theatre And |
| Publisher | Bloomsbury Publishing |
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