A powerful and deeply moving meditation on Black masculinity and Black life in Britain. But, underneath all the pain, there's an abundance of light, laughter and boyish energy too ... While the play could never be totally encompassing of all Black men's lives, Cameron has neatly stitched together a wealth of opposing, recognisable issues. At its core, the play asks how to play the role of the right kind of Black man. Tragic, vulnerable and honest, these are voices that are usually buried, but need to be heard ... The script is crucial, pressing poetry.

Guardian

Nothing in our theatre history has achieved what Ryan Calais Cameron's remarkable and poetic play achieves. In two and a half funny, touching and poignant hours it reveals what it is to be young, black, British and male.

Jewish Chronicle

Given the title there's a surprising amount of joy in Ryan Calais Cameron's play. It's a mosaic of young British black men's experience, often laugh-out-loud funny and physically exuberant, occasionally poetic, but with a recurring undertow of dread.

Evening Standard